Part two of a conversation between me and my father in March of 2014 about Midsouthcon and other things.
This episode makes reference to the following things:
Part two of a conversation between me and my father in March of 2014 about Midsouthcon and other things.
This episode makes reference to the following things:
First, you have to pick a concept. I’m not just being flip here. Picking a concept can be difficult, and it is the essence of focus. If you want to learn string theory, you can’t learn to program, study the economy of Tahiti, and grok the subtle nuances of a TV show about super heroes at the same time.
You have to budget your time. I like half hour segments, but you may find something else works better. For me I tell myself that for this particular half hour, all I’m going to do is study this concept I want to study. I have a plan for the day where each free half hour segment that I have is set up ahead of time. Of course making the plan is one thing; actually following it is another. That would be another Quora answer, and my solutions for that may not work for you.
The point is that you must devote yourself to the thing you want to learn for at least some span of time. The more time you devote the better, although you may find some diminishing returns if you get too obsessive. You may have heard how many of the best musicians played until their fingers bled; the best programmers spend all night on code surviving on cheesy poofs and energy drinks. These stories may be true, but sometimes passion doesn’t come as naturally. Sometimes you have to cultivate it. So for half an hour, or whatever you can manage, attack the concept with all the will you can muster. After the time is up, you have permission to stop.
Devoting yourself to learning the concept means, no internet beyond what you need, no texting, no talking to friends, no video or TV watching, and no distracting music. You may have a playlist of songs that help you concentrate. I like instrumental music with a dance or techno rhythm sometimes for that, but most of the time I find I’m so worried about whether or not I can work with a particular song, that I just learn to deal with silence. This can be difficult, even dangerous for some people. Your job may depend on you being available. But if you want to focus on something, you are going to have to let something go for a little while. If you can’t find some time to devote to this thing you want to learn, I’m afraid you aren’t going to be able to learn it.
Now, after you’ve picked a concept, and devoted yourself to it, the next thing you need to do is step away from it. Ask any writer who has managed to overcome writer’s block. Sometimes obsessing over something, especially something complicated and difficult to understand, just does not work. Sometimes you have to give the logical part of your mind a rest. Do something else for a while. You may need to schedule this you-time just as stringently as your concept-time, but it helps. Although it’s true that learning the concept will be it’s own reward, the human brain wants instant gratification. After the third time you read about some one arguing over whether there’s six dimensions or eleven, you are very likely going to want to say “screw string theory” and eat a hot dog.
(There’s nothing difficult to understand about a hot dog. You can ponder it’s origins and chemical make up if you want, but it will only last a second before you tell yourself “Dude, it’s a freaking hot dog!” Much like religion, hot dogs require faith, but with faith comes solace, and you can make yourself one with everything.)
Wait until your devotion time is up, but then go for it. Take it easy for a while. After you’ve worked on it for the duration you set for yourself it will feel like a reward, and you’ll be more likely to want to study again. Don’t forget you’re human. Don’t burn yourself out.
Finally, for all the times when you aren’t intensely concentrating on some concept, you should remember to be open to serendipity. You may suddenly understand why there has to be six (or eleven) dimensions while you’re sitting in traffic on your way to work. It all has to do with rollerskates, you realize. Suddenly your boss calls. You pick up your phone. You could answer it right away, or you could text “rollerskates” to yourself while traffic is stopped. Text those rollerskates. As long as it’s not going to get you fired to let the phone ring a little longer, let your brain work in it’s weird and wonderful way. Remember that you care about string theory. It’s important to you. Later on, when you’re diving into it again and you’re lost you’ll remember you texted yourself something and then you’ll go “Oh yeah, it’s like rollerskates!” and you’ll be back on track.
So in review:
That’s my advice. Hope it helps
Image from http://www.egymbb.sk/vesmir/teoriastrunE.html
The following is a response to a question on Quora. I didn’t quite read the question correctly, but I like what I came up with as an answer. I have no definite expertise on any of this, but I have learned a few things that may be useful for somebody.
If you’re serious about accomplishing your dreams, there are some tools that have been developed in the business world that can help. I’ve been involved with some Six Sigma projects, and I like the model of DMAIC for the most part. That is Define, Measure, Analyze, Improve, and Control. These sound boring, but they’re really not. Let’s go through them.
The first step of accomplishing your dreams is to have realistic dreams. This isn’t giving up, this is building up. If you want to fly, great. I’m not going to say you can’t fly. But what exactly do you mean by flying? Is flying an airplane going to work for you? No? How about skydiving, that’s kind of like flying, or hang gliding? Do you actually want to be like a bird, or do you want to be superman?
Already, while we started off with something that seems unattainable, we now have several options that are much more attainable. One of the things that keeps you back in this step is fear. Your dream of flight is nice, but what if you don’t like it? What if it’s dangerous? What if it seems less beautiful? These what-ifs can hold you back, but they shouldn’t be ignored either. Make a list of these fears along with any other risks, because its entirely possible that you actually don’t want to accomplish this particular dream. Next to these risks, you want to list the benefits of accomplishing your dream. What will you gain from it. Why do you want to accomplish it? It could be that while your dream involves flight, what you really want is a feeling of freedom, and there might be better ways of doing this. If you think of some, great, make another list of risks and benefits for this new dream. Does it look better than what you had before? You keep at this until you have something that matches your desires and yet still fits with what can occur in reality.
If, at this point, you still don’t see how you can accomplish your dream, then look for ways to get closer to accomplishing it. If you want to be Superman, maybe look into jet packs, physical fitness, rescue work, or space travel. Depending on what it is about Superman that you most want to be, learning about these subjects might not get you there, but it will get you closer. The idea here is to bring your dream closer to reality by bringing reality closer to your dream.
How close are you to your dream today? The easiest example of this is weight loss. If you want to lose 30 pounds before next Thanksgiving, you need to monitor how you’re doing to know if the diet you are on is working or not. Even if it’s something you dread, you have to get on the scale and check, otherwise there is no point in dieting. You can get more sophisticated in this step for more benefit. You can make a graph of your progress for example and a list of all the foods you ate each day and any exercise you did. This way if there is a large dip or a peak, you can see what might have caused it. Weight loss is nicely quantitative, so measuring is easy to do.
The picture to the left links to a blog about not letting scales control your life. This is a common sentiment, and I can understand where it comes from. I think it’s a completely wrong way of thinking about things, but I understand it. If you aren’t having too much success accomplishing your dreams it can be disheartening to measure how far you’ve fallen. This is because humans aren’t robots. If you aren’t doing well in your progress, you need to either move on to the next steps (analyze and improve) or reconsider the previous step. Is loosing weight really what’s important to you? Could it be that you’re really worried about your fitness? Weight may not be the best way to measure that. If you stress eat, you might measure progress by recording times of stress and how you coped. Or maybe whatever is causing you stress is the problem. Putting serious effort into fixing that might be the best bet. You are never going to be able to levitate yourself. That’s depressing. But being able to do a pull up is close. Even Superman started with tall buildings. But whatever you’re goal you HAVE to measure your progress toward it somehow if you’re serious about accomplishing it.
For your more qualitative goals, like flying or perhaps owning your own business, you might need to make a journal dedicated to the goal. You can probably come up with many little goals and you can note your successes and your set backs in a journal as you experience them. The point is to have a record of what works and what doesn’t so you have some guidance in the next step.
Analyze and Improve
If your diet isn’t working out, change it. If you feel like you’re not getting anywhere, move. You do NOT want to be consistent if you are unhappy. A foolish consistency, as Emerson said, is the hobgoblin of little minds. Although you want to make changes that are likely to work and that aren’t too dangerous, remember it’s okay to make mistakes. You are, in fact, required to make mistakes in order to know what does not work for you. There are different kinds of writers, different kinds of digestive systems, you may, in fact, be from the planet Krypton. You can’t just follow someone else’s plan.
It is very important, however, to continue to measure your progress. You might think it’s a good idea to eat nothing but soy products in your diet, but you might find out that you actually gain weight (because, surprise, soy can be fattening!) Give it some time so you can be sure of how things changed, but if things are going worse, change your system back to how it was before if possible, or make another adjustment if its not.
I’m going to digress here for a moment to talk about house flies. If you watch a fly fly, you might notice how randomly it moves. It buzzes around your sandwich quite a bit yes, but then it takes a trip to the window and the to the lamp shade and back to your sandwich again. The actual motivations and causes for the complicated behavior of a fly is complicated, but one possible way of explaining it is as a modified random walk. A random (or drunkard’s) walk is one in which a moving object moves in a random direction for a random amount of time. The fly does just about the same thing, except it has memory, sight and smell, signals that make it prefer certain directions over others. As long as the good signals are getting stronger, the fly will keep going in the same direction, pretty much, but if there’s a bad signal that’s getting stronger or the good signals are getting weaker, it sort of tumbles in the air and flies in a new, but still mostly random direction. This is rather inefficient, but it works. If you are near a sandwich, and you get further away from it, the signal goes down. You then go in a different direction and maybe this is also leading away from the sandwich so you change directions again, and now you are going toward the sandwich again so you keep going. I should say that the fly is a bit (a LOT) more sophisticated than I’ve described here, and, while a fly does act this way somewhat, this behavior is more like how bacteria move (Howard C. Berg has written a lot of interesting work in “random walks”). The point is, that it doesn’t matter so much what you adjust, or in what way you adjust it; what does matter is how often you adjust it and how closely you monitor your situation.
If things are progressing well, don’t mess with them! But if things aren’t going anywhere, some kind of change is in order. If things are getting worse, than a change is not only a good idea, but an urgent one. Don’t let fear keep you from a better life. You might be in a situation where you don’t have a lot of options, but even if you only have two paths you can go on as Led Zeppelin says, “in the long run, there’s still time to change the road you’re on.”
This step has two phases. While you’re still attaining your dream and making adjustments, you will probably find it helpful to establish some rules and guidelines. For example, jumping off a building is not an acceptable means of learning to fly. In weight loss, you might find that day to day, your weight varies by about a pound or so there’s no reason to stress about an increase unless its more than that (stress->despair->ice cream so limiting stress is also important). You may also have some go-to adjustments for when things go wrong, such as doing more exercise or taking a quiet moment to watch the birds when you’re feeling down. These guidelines that you develop on your way to your goal are the first phase of control.
The second phase of control occurs after you’ve attained your dream. So you’re successful. Now what? Well, the answer to that question is usually that you want to make sure you stay successful. A lot of the guidelines you came up with in the first phase will work in this second phase, but there may be a few things you need to do differently. If you get a job as a pilot, for example, you need to review all the safety procedures even though day-to-day you may not need to know them. You also need to keep an eye out for new technologies and if necessary train yourself on them so you don’t become obsolete. Once you lose the weight, you have to stay vigilant to keep it off, and you may have to employ different strategies as you age or go through other life changes.
As you may have noticed, all these “steps” overlap, and turn back on themselves like eddies in a river. You could in fact just as easily start with Control, and then notice somethings out of whack and move to Analyze and Improve and then Measure, and then find out what exactly the problem was at the end of the whole process (Define). That’s more or less what happens when police make an arrest. Perhaps it would be better to call these phases or even aspects of goal setting, but I think if you’re looking for a way to start accomplishing your dream, defining your dream is a good place to start. If you’ve got your dream well-defined, measuring your progress is the next thing to try. Then adjusting things as needed, and finally controlling them once you have things pretty well established. They build on each other nicely that way, and besides, that’s how the business world groups them.
Note: This post used pictures from the following websites. Please visit them and consider purchasing any products they’re selling.
This is the first part of an interview with my father where he asks me about what I did at Midsouthcon, a science fiction convention held in Memphis, Tennessee. This is from March 2014 so the information isn’t entirely current, but the talk could just as easily be about any science fiction convention. We also talk about the phenomenon of steampunk in literature. Finally we discuss werewolves and related lycanthropic characters in fiction, partly due to the short story I recently had published. Dad has a way of asking questions that start out seeming basic, but end up being rather deep. It makes for some interesting conversations, and I think this one qualifies. Hope you enjoy.
The anthology Luna’s Children is now out in kindle and a print version is coming out soon. This is an anthology of werewolf stories edited by D. Alan Lewis. There are actually two volumes: Stranger Worlds and Full Moon Mayhem. My short story, “Always Hungry” is in Stranger Worlds.
So what’s in my short story? The story bends several of the rules of the anthology. For one thing it’s not really about a werewolf per se. The main character is a coyote who is altered by the tears of a young woman into…something else. Something not quite human, but not of nature either. It’s an intense horror story, though there are some lighter moments in it. Like many horror stories it deals with humanity coming into conflict with darker natures and the supernatural.
Read it and tell me what you think!
On one side of the large parking lot outside the main entrance of the clinic Delacroix, two FBI agents, four local police cars, and a SWAT van sit there looking mean. On the other side there’s Eklund, Janis, Jazz, a few doctors in lab coats carrying tasers and me. Things don’t look that good. I’m betting on a number of things that might not be true, but at this point my plan is the only thing that makes sense. A hail mary pass, that just might get us all killed. Fun.
Eklund walks across the no-man’s land of the parking lot. Janis follows him. Delacroix joins him in the center of the space with the two agents to back him up.
“What’s it going to be, doc? The hard way, or the really hard way?”
Eklund looks older than I’ve ever seen him. He wipes sweat off of his brow and glances at me. I nod at him, even though I’m not sure about this either. Then he clears his throat and speaks. “What is will power, Agent Delacroix?” he asks.
“That sounds like a question, doc. I’m looking for an answer.”
“True, but you see, your reasons for attacking us seem to be contingent on whether or not the agent we took from the hospital wanted to be saved or not. But he was unconscious, how can we know what he wanted?”
“Your Pisces there put him in the hospital, I don’t think he’d be running to join her again.” Delacroix walks closer to Eklund using his height to intimidate the smaller, older man.
“You don’t think, but you don’t know,” Eklund points out.
“Sure, fine. Why don’t we wake him up and ask him? Oh, that’s right, we can’t, because he’s in a fucking coma.”
“Janis?” Eklund turned toward Janis, who’s rubbing her wrists in discomfort.
Delacroix and the two agents tense up, expecting an attack.
“Go to Delacroix. Do whatever he asks.”
Janis’s eyes go wide, but she follows the order, walking over to Delacroix.
“Go ahead. Give her an order,” Eklund prods.
“Stand on one foot,” Delacroix asks, and Janis does so. “Jump up and down.” Janis still follows the order. Delacroix’s face hardens into a scowl. “Kill yourself.”
The blade snaps out of Janis’s wrist, but she doesn’t raise it to her neck or any other part of her body. She wavers still on one foot. Then, slowly, her raised foot comes down.
“Kill yourself!” Delacroix yells, but now Janis’s blade retracts back into her wrist. She walks, slowly at first and then with more determination, back to Eklund’s side.
Eklund smiles. “She has a computer in her brain. It has a very simple program. Follow every order. A couple of days ago, she would have followed your order. But she has gained a will of her own. She has learned how to ignore her programming.”
“Am I supposed to be impressed? One of your robots is malfunctioning, how does that change anything?”
“Janis, if you could go back, would you rather I hadn’t helped you out? Would you rather I had left you in a coma?”
Janis swallows and shifts her weight. “Sometimes…sometimes I think I feel that way. But not right now. I don’t want to die, and I don’t want to be in a coma again either. I’m sorry if I’m not supposed to say that!”
“It’s okay, Janis. You’re a human being, now, not a robot at all. You’ve made me very proud.” Eklund pats Janis on the shoulder and turns to Delacroix. “You say Agent Fox wouldn’t want to be here. I say at the moment he has no will of his own. I say that anyone with an ounce of willpower would rather they have a will than not, and the only way we can give Agent Fox any semblance of will, would be to let us help him. Afterwards, he can decide if it’s worth it or not, but until then, let us do what we can.”
“How do I know you didn’t just program her to act this way? She’s your robot, you could tell her whatever you wanted.”
“I’m not a robot!” Janis says suddenly, her blades out of her wrists. She seems a little startled by her own outburst, but then she slowly smiles. “I’m not a robot,” she says again. “I have a will of my own.”
“Oh yeah? How do you know that? How can you be sure?”
Janis steps in front of Eklund, powerfully, resolutely. She is her own woman. “I know I’ve got it,” she says, “Because it makes me feel good.”
There was a flurry of decisions that had to be made, most of which I couldn’t quite follow. Eklund and his clinic were allowed to continue under stringent government surveillance. He was no longer classed as a terrorist threat, but was required to pay a fine and work a few hundred hours of community service for the injuries the two agents sustained.
As for me, I have a job now, working for Eklund. As to what that job actually is, that’s difficult to say. I can usually pick things up pretty quick and passing the tests for certification in different areas hasn’t been a problem. Sometimes I work in the operating room, assisting one of the doctors, sometimes I’m fixing some electrical problem. Eklund understands how bored I get doing the same thing and lets me work on whatever needs doing. It’s perfect for me and I get paid more than I would ever make doing something else.
Janis visited her mother again recently. I think they bonded a little. There was mutual crying. I asked her out on an official date, and we’ve gone on a few of them since. That’s going pretty well. Janis still can be a little too accommodating at times. I don’t think we’re going to stay together. I think she’s still learning who she is, and at some point she’s going to have to see other people just to make sure I haven’t influenced her too much.
I think I’m okay with that. I think I love her, and I think I’ll be a little jealous of whomever she’s with, but I think I’ll be able to deal with it. I’m still learning who I am too after all. Maybe we’ll find each other again. Maybe we’ll drift apart, but whatever happens, it will be because of our own decisions. Our own will.
When Agent Fox wakes up the first time, I’m there in the room with Dr. Eklund and Dr. Gardener. He opens his eyes and blinks a few times. “Don’t worry, Fox” I tell him, “We aren’t going to hurt you.” The fans on his prosthetic cortex whir. “I’m Ethan Yates. I’m a friend. These two helped you out of your coma, their names are Dr. Eklund and Dr. Gardener. For a while, you’re going to have to do whatever we say, but eventually, you’ll be able to make your own decisions. Nod if you understand.” Fox nods slowly, and I know he’s going to be okay.
I love my job.
If you’re studying biology, chemistry, art, a pictographic language or any visual subject, you may have to memorize not only words and definitions but also pictures, diagrams, and symbols. Depending on how good you are at drawing, you may be able to use index cards here, but this is time consuming and can be frustrating. We live in a modern age though, and there is a better way.
Everyone has different backgrounds. I was amazed to discover that many university students I’ve run into haven’t learned how to do this stuff, but isn’t always taught as early as it should be, possibly never in some schools, and besides I’m not sure where exactly I picked it up. So I’ll start with a very basic introduction to PowerPoint for those who haven’t used it before. Then I’ll explain how you can use the program to study complex pictures in the second section. This might be too complicated for some, too simple for others, but I’m hoping this helps somebody.
Disclaimers: I should note that I use the 2007 version of Microsoft PowerPoint, but I learned these techniques on earlier versions of the software and so you should be able to find the same options on whatever version you have if you hunt for them. There are other presentation software programs out there, but Powerpoint is the one I'm most familiar with and probably the most popular. I'm not going to use the little copyright symbols next to every instance of the word Powerpoint, because that would be annoying, but PowerPoint is the copyright of Microsoft Corporation and that should be understood throughout this post. I believe I am operating under fair use here, but I will take down the page if I get any official looking cease and desist letter.
On most modern PC and mac computers, there is a program called PowerPoint. If you’ve taken a class anywhere in the last decade, you’re probably encountered it . You might even hate it. It certainly has its critics, but you don’t need to worry about any of that. Basically PowerPoint makes slide shows. The reason why it’s useful is that it combines word processing, image editing, and even a little movie making into one lovable Frankenstein program.
Basically you start out with a screen like this:
You can type in words or copy pictures into the slide and view your finished product by clicking the slideshow symbol (on the bottom to the left of the 52% in the picture). Once you’ve made one slide you can create new ones until you have an entire sequence of slides that you can use for a presentation at a meeting, or for your own benefit. Even if all you do is type text into the various slides, Powerpoint is helpful in a meeting to keep you on track, or as a way of outlining a narrative for a story or talk.
You might already see one way to use PowerPoint to study. In the first slide, you might type a word, say, and then in the second slide you can have both the word and the definition. Instant flash card! And its not as difficult to keep from cheating. You could also use a word that describes a diagram that you have to learn to draw, and in the next slide you could have the diagram, which lets you check yourself against somethings that’s probably a little larger, more accurate, and more readable than what you can hurriedly scratch out on an index card.
This does the job in some cases, but in many cases what you have to study is just too complicated for a single slide. Take this picture for example:
If you had to memorize the names and locations of all those organs, it would take a whole stack of index cards . But there’s a trick you can do in Powerpoint that makes studying this stuff a hundred times easier.
First copy-paste or insert the picture into the Powerpoint file (right-click on picture->copy->right click on powerpoint-> paste or Insert->picture symbol-> browse-> enter filename) Once you do this you can move the picture around if you click on the center of the picture and drag, and you can resize the picture by clicking on one of the dots in the corner and dragging out or in.
There should be an area that says “Shapes.” If you click on this button, you’ll get a selection of various shapes you can use. It’s easiest just to use rectangles so just click on the rectangle shape, which should be near the top of the popup menu.
Once you click on the rectangle you can click anywhere on the slide and drag out to create a box however big you want it, and move it over one of the terms you need to know.
Okay. Now you can’t see the word. That doesn’t do you much good on its own. You want to be able to remove the block on command. Go to “Animations” and click on “custom animation.” This will create a panel on the right side of the screen which will let you assign animations to the rectangle.
You want to have the box disappear when you left click. To do this, in the custom animation pane, click on “Add Effect,” then select “exit.” You are given a list of options, but it doesn’t really matter which one you select, they will all cause the box to disappear when you left-click your mouse or hit a cursor key in slide show mode.
Once you select one of the options, powerpoint will show you what the animation will look like. and then an entry will show up in the box toward the center of the pane. This box lists all the different things that have animations in your slide, as well as some options for the animations. You don’t have to worry about those now, but you can play with them to create different effects.
What we’ve done so far is create a box that goes away when you click a button. You can go into slide show mode and confirm that this works. But we could do this by making a new slide without a box in it. So what’s the point? Well, remember copying and pasting? You can do that to the rectangle you’ve just made, duplicating it as many times as you want. And each time you duplicate it, you duplicate the animation as well.
Now, when you go into slide show mode, each time you click your mouse, a block will disappear, allowing you to study not only the names of the organs, but also their locations.
This is incredibly useful for subjects like anatomy and physiology, but it works for anything large and complicated that you need to learn all the elements to. And of course you can use simpler methods for the simpler things you need to know, making powerpoint an excellent tool for review.
Sleep comes like a ninja from behind, and I fall, vanquished like a random lackey from a rival clan, into the bed.
In my dreams I’m running through stacks of old computer towers, their fans whirring searing hot air onto my calves and shins. I am naked and I can’t figure out where I’m supposed to go. And then I find a surge protector with many cords plugged in. I start to follow the cord for that and I start running following it because somehow I know that getting to the source is important. I run and I run, servers and computer towers spitting hot air at me as they rise higher and higher around me. Finally I come to a circular clearing and I see Janis on the ground at its center. The cord runs into her chest, between her breasts into her heart.
For some reason, in the dream, I pull the cord.
I wake up.
I can sense the urgency as soon as I open my eyes. Outside my room, I can hear quick footsteps going back and forth. I slept in my clothes so after checking myself for any embarrassments, I open the door to see what’s going on. No one is paying me much attention, just rushing toward some area of the building. I decide to follow the general flow and find myself in the back of a small crowd of people both in and out of lab coats gathered around the doorway of a large office. A man with an impeccable hair cut and a laid back charisma is talking in the lazy drawl of a southern gentleman to Dr. Ecklund through a large flat screen display.
“…Oh I’m well aware of the work you’re doing, Dr. Eklund. I know all about your little mad science projects, and while I’ve wanted to take you down for years, the government—” The man says the word “government” with the same palpable contempt with which he said Dr. Eklund’s name “—felt a wait-and-see approach was more ‘prudent.’”
“My research could be of great benefit to the American people and the military I assure you, Mr. Delacroix.” Eklund speaks in a somewhat flabbergasted tone, as if someone suggested borrowing his underwear without warning.
“We can take your research, Dr. Eklund, and we will. You see you have kidnapped a federal agent, and that is a big no no.”
“We’re saving his life!” Eklund protests.
“It doesn’t matter what you’re doing to him, doctor, it ain’t done with his permission, and it ain’t done with the the permission of the American government. Now I’ve got this friend, Sal. He’s in charge of the local SWAT division? Way I see it you got two choices. You can either come peacefully and let us ransack your little establishment and take what we find useful. Or you can get your switchblade pisces, I’ll get my guns from Sal, and we can have ourselves an altercation.”
“I have rights! My patients have rights!”
Delacroix gives Eklund a condescending look. “Dr. Eklund, that was before you committed a federal crime! You came into this yard looking for a cock fight. Don’t you stop struttin’ now.”
The display goes dark. Everyone is silent for a moment. One of men next to asks, “What are we going to do?”
Strangely enough, I think I have an answer.
I’ve been asking myself this lately because over the last year or so I’ve been going to yard sales, and as a result, I have begun to accumulate stuff. There are some odds and ends, but most of this stuff consists of books. Turns out you can get books very cheaply at yard sales. Furthermore I frequent a used bookstore that has a free bin. As in FREE.
For the most part, this is awesome, but while I’ve been able to pick up books on all sorts of topics ranging from Native American folk remedies to a book on cop slang, I’ve also lost a lot of space in my room as a result.
But how can I pass up a free book? I have a fairly good idea of the benefit of a book, but how can I determine the cost? What am I really paying for a free book?
I’m going to concentrate on books, because that’s my main problem, but I think I could generalize to other things pretty easy. I figure, based on the various apartments I’ve had, that, discounting some initial costs, a square foot of living space is worth roughly 1 dollar per month. Bearing in mind that most rooms are around 10 feet tall, this means that 1 cubic foot of living space is worth about 10 cents per month. Most books are about a fifth of a foot thick, a half foot wide, and a foot tall, so 0.1 cubic feet. This means that by bringing in a free book, I’m paying about a penny each month that book is in my room. That’s 12 cents a year, $1.20 a decade.
So worst case scenario, the book sits in my house for a couple decades and it costs me a few bucks, big deal. At the same time, surely I can’t just keep that up. Eventually I’ll run out of space and I’ll either have to buy more space or purge my book collection. All these books that I’m getting might not cost me much individually, but in aggregate, well there’s going to be an effect on my personal well-being after awhile. How can I factor this in as a cost?
This is tricky. I have to find a way to quantify my well-being as it relates to furniture.
Looking at extremes can sometimes be helpful. The worst case scenario would be for there to be literally no space. In this case I would have to find somewhere else to live, which would most likely double my current living expenses (I would still have to pay for where the books live). The other extreme would be for there to be no books. This wouldn’t be so bad really, because this would just mean reading books outside of my living space instead of storing them where I live. However, by not storing physical books, I would have to purchase more e-books, or purchase space to store my books . So in that extreme too, I would probably end up increasing my expenses. These extremes seem to indicate there is an ideal amount of books and that straying too far in either direction would end up costing money.
Well, at my current rate of about 1 physical book read every two months, the most amount of physical books I will be able to read in a 100 years would be 600. It’s also nice to have options when I’m ready to read a book. And really that’s the reason I keep getting books. I’d like to read them someday when I feel like it, and I want to be able to pick up the book when I feel the urge. The time it takes me to browse through a shelf of books is roughly a minute per shelf if I’m being thorough, and the most amount of time I’m going to want to spend deciding what book to read is maybe thirty minutes. So that equates to 600 books again at twenty books a shelf. 600 books is the ideal amount it seems.
600 books might work as an ideal number, but that doesn’t tell me what the maximum number is. If I have a more or less square room that is 625 square feet, then the perimeter of the room would be 100 feet or 500 book thicknesses. If the room is 10 feet tall, this would allow an absolute maximum of 5000 books.
So let’s say that the cost of storing books is R*|x-600|/4400 where R is the amount of money per month spent to live in the space. For a typical low-rent apartment then…the expression would be 625*|x-600|/4400 or (.14)*|x-600| This translates to about 14 cents per book per month. That’s $1.70 for a year. If I expect to live for a hundred more years, then each book I get now and never read will cost me 170 dollars. Of course this still isn’t that much, really, and this graph probably has little to do with reality, but maybe it will help to know I’m not just picking up a free book, I’m committing to a data plan.
The feeling of elation lasts for about thirty seconds before I turn around to see if the old guy is alright. I’m not sure what I’m hoping for—for him to be okay or out cold—but regardless I can’t just do the cool guy thing and keep walking away without looking back.
As it turns out, Eklund’s got a bloody nose, but seems okay otherwise. Fine. Now I can get back to…
Jazz is in front of me. Or I should say Jazz’s chest is. He’s a big guy. He puts a heavy hand on my shoulder. “You ordered me to protect you, Baxter, but this person does not seem to be a threat any longer. How do you wish me to proceed?”
Eklund takes some time to walk up to me before he responds. “It’s okay, Jazz,” he says, holding his nose gingerly to keep blood from dripping, “He was just reacting to a little test I gave hib.”
Jazz reaches into his trouser pocket to pull out a handkerchief. He gives it to Eklund.
“Thank you, Jazz. Drat it. No batter how buch I dow I’b dot supposed to tilt my head back, I still want to.”
“A test?” I glance between the two men, still halfway wanting to find my way to Janis and the drama going on around the gurney that’s steadily retreating down the hall.
“That was very ibpulsive of you, hitting be like that.” Eklund frowns regarding the bloody handkerchief for moment before rephrasing.“Very willful.”
I shrug. “You pissed me off. I reacted. I’m starting to think that might be what will is all about. Just acting on emotions.”
“Is that it?” Eklund asks, “Or is it the codtroll, of your ebo…of your feelings, that indicates will?”
I’m a little confused at this point. Too many things going on at once. “Look, I’m not one of your experiments, okay? I want to see what’s going on with the FBI guy.”
“That’s true, I suppose. I’d have to have a lot bore test subjects before you could be part of ad experibent. You’re really a case study. The data I get frob you is strictly anecdotal. Still, it’s a starting point.”
I swallow, remembering that Eklund brought me here to experiment on me. I am literally his test subject. Or at least potentially one. When does a test subject start actually being a test subject?
I’m trying to tease this apart when Eklund continues “I was also hoping that by interacting with you, Jazz and Janis would learn to think on their own. Develop their own will.”
I look back at Jazz, just in time to see his face relax from a twitch that looked a lot like a sneer of contempt.
“Did you see it?” Eklund sounded joyful. “He still doesn’t realize he has opinions.”
Jazz’s cortex fans start whirring as he frowns.
“Just let it go, Jazz. Don’t overheat yourself.”
“Yes, Baxter.” Jazz says, relaxing.
“As for you, Mr. Yates, you should let Jazz take you to your quarters. You’ve had a lot of excitement recently and you aren’t going to be buch help to anybody for the dext few hours. I’ll just leave you with this small paradox: can a person choose to ignore his or her own will?”
“Of course they can!” I said, “Otherwise…”
Otherwise they wouldn’t have free will, only they are supposed to be ignoring their free will… Crap.
“Get some sleep, Mr. Yates. Things will likely get very interesting this afternoon.”